This second iteration of Lost Creek continues to challenge conventional landscape photography through multiple exposures captured with a custom 4x5 camera. The project revisits the dried creek beds of the Mojave Desert through intimate macro details, building upon the original work's exploration of water's passage through stone. Unlike the first iteration, this version focuses on macro elements and presents the work as diptychs. The diptych format allows for visual comparison between different moments within the same geological narrative. These overlapping monochromatic exposures reveal centuries-old water patterns, creating visual archaeology of the landscape's transformations. The work challenges our perception of time and landscape, offering meditation on nature's fluidity rather than photography's traditional role of freezing moments. The technique bridges human perception and geological time, allowing viewers to witness the usually imperceptible motion of our living Earth.